EXP2: ELECTROLIQUID AGGREGATION CONCEPT

The idea of Electroliquid Aggregation, is explained by Lars Spuybroek as: “Why still speak of the real and the virtual, the material and immaterial? Here these categories are not in opposition, or in some metaphysical disagreement, but more in an electroliquid aggregation, enforcing each other, as in a two part adhesive.”

The idea of Electroliquid Aggregation also comprises of the fusion and moulding of different elements, whereby the contact of these two components will repel and create space between.

The notion of Electroliquid Aggregation can be incorporated into the design concept for the amalgamated Monument, thereby forming the concept of;

"Promoting Openness and simplicity in Architecture, ultimately creating visual and physical space".

EXP2: UPDATED LUMION MODEL PROGRESS

A combined axonometric structure was chosen and developed in Lumion. The chosen landscape is on a plateau, on top of a mountain, with a waterfall protruding from it.

Screenshots of combined model from Lumion environment:

EXP2: INTERCONNECTED AXONOMETRICS

Two axonometrics; one from each client, were combined and amalgamated in order to create an interconnected monument. After combining two axonometric shapes, the geometry of one structure was curved in order to create a structure consisting of rectilinear and curvilinear form.

EXP2: LUMION MODEL

An axonometric was chosen and created within the Lumion environment. This was achieved by creating the model in SketchUp, before importing it into the Lumion program.

Sketch of Axonometric from Sketchbook:

Screenshots of model in Lumion environment:

EXP2: CONCEPT AXONOMETRICS

The axonometrics were drawn by interpreting the design concepts envisioned by Mies van der Rohe and Nathalie de Vries (MVRDV).

EXP2: ARCHITECTURAL CONCEPTS

Architectural Concepts of Mies van der Rohe:

• Creating a strong relationship between a house and its natural surroundings

(Farnsworth House)

• Reduce distractions to focus on essential elements and emphasise objects; Minimalism

(Barcelona Pavilion)

•  Promoting openness and simplicity in materiality

(S. R. Crown Hall)

• Simplifying building form to achieve purpose and focus on functional amenities

(Villa Tugendhat)

• Minimal framework to create free-flowing 'skin and bones' Architecture

(Seagram Building)

Architectural Concepts of Nathalie de Vries:

• Promoting Openness; Minimum Materials, Maximum Façade

(Westerdok Apartments)

• Mixture of different urban characteristics and lifestyles; collating social qualities and intrinsic values

(Folie Richter Montpellier, Vertical Village)

•  Simultaneous access to interior and exterior

(DNB Bank Headquarters)

• Elevating and cantilevering objects, to create space

(WoZoCo)

• Flexibility in building function; providing sustainable character

(Rødovre Skyscraper)

Original Concepts from Sketchbook:

EXP1: THE DATUM - FINAL SUBMISSION

1) Link to BLOG

2) Link to THREE CLIENT IMAGES

3) Link to EIGHTEEN SECTIONS

4) Link to THIRTY-SIX TEXTURES

5) Link to SEVEN IMAGES: TWO DRAFT SKETCHUP MODELS, ONE DEVELOPED MODEL

6) Link to THREE SKETCHUP ANIMATIONS

7) Link to SKETCHUP MODEL

EXP1: SEVEN IMAGES: TWO DRAFT SKETCHUP MODELS, ONE DEVELOPED MODEL

Draft SketchUp Models:

First Conceptual Design:

Accelerate & Carve

Accelerate & Carve

Original Sketch

Second Conceptual Design:

Accelerate & Sculpture

Accelerate & Sculpture (with Datum)

Original Sketch

Developed SketchUp Model:

Link to in-depth explanation and images of Completed SketchUp model

EXP1: THREE ANIMATIONS

Through the use of SketchUp's Scenes tool, my model was able to be animated, displaying the interior walls, plans and internal/site layout. This was achieved by inserting Section Planes into the model, and animating them using the Scenes function. The resultant animations are shown below with a snapshot of the completed SketchUp model used in the animations:


Final Completed Model used in SketchUp animations:

Model Animation 1:





Model Animation 2:





Model Animation 3:

EXP1: COMPLETED SKETCHUP MODEL

Completed SketchUp Model:

Original Sketch:

Upper Section: Revival Cycles

Lower Floor; Stairs to Datum and Ramp to Upper Workshop Space

Upper Floor; Main workshop Space and Ramp to Lower Workshop Space

 Middle Section: Datum

Revival Cycles

Stairs to Revival Cycles Workshop; Stairs contain Slanted edges, to act as a ramp for movement of motorcycles.

Revival Cycles Showroom Space; Stairs from workshop above, with Spiral Staircase entrance on the side. Window mesh compliments theme of showroom.

Steinway & Sons

Steinway & Sons Showroom; Stairs from workshop below, with Spiral Staircase entrance on the side. Theme of showroom exhibition is complimented in window mesh.

Stairs to Steinway & Sons workshop; Piano 'Key's and 'Notes' act as 'racks' to rest Piano during moving, in order to simply task of piano moving. Also act as aesthetic decoration during ascent and descent. Slight overhang in nose of stair, to symbolise white piano keys.

Lower Section: Steinway & Sons

Mezzanine Level; to act as office space, storage and other light workshop activities

Lower Workshop; Workshop space with view under Mezzanine bridge

Lower Workshop Basement; Steps leading to storage space, car space and room for other industrial workshop tasks

Spiral Staircase; Entry point to Revival Cycles and Steinway & Sons showrooms. Stair treads change in colour and materials in accordance to theme of location

Datum Exterior; Side of Building shows fusion of Steinway's Wood and Revival's Metal, where the datum acts as a join or meeting point of the two elements

EXP1: YOUTUBE VIDEO: UPRIGHT PIANO DOWN STAIRS

Prior to designing my Steinway & Sons stairs, leading from the lower section to the datum, I proceeded to do some research into efficient ways to move pianos up and down stairs. From website how-to guides and YouTube videos; one of my main sources of inspiration, embedded in this post), I found that moving a piano upright was the common method of choice, due to it's simplicity and distribution of weight.

By functionally incorporating this into my design, my idea for the Steinway Stairs, revolving around using 'racks' and 'stands'; in the form of black piano keys and steel musical notes protruding from the walls, to support and hold the weight of the piano, allowing piano moving to be a much simpler task. Additionally, when not used for moving pianos, the musical notes and black piano keys convey the concept of pianos and music, ever-present in the lower workshop space.

Below is an imported image of my Steinway & Sons stairs, as modelled in SketchUp:

EXP1: CLIENT WORK INSIDE WORKSHOPS

Following further development of the chosen SketchUp model, images of client works were imported into SketchUp and modelled within the building's workshop space. This allowed for effective communication of the scale, form and layout of the Client's workshop space, and furthermore highlights the relationship between workshop space and the artworks within.

Revival Cycles Workshop with Motorcycle model - The inclusion of a ramp and upper floor, allows for space in the upper section of the building to be more efficiently utilised; ultimately distributing space more evenly and regulating circulation.

Steinway & Sons Workshop with Piano model - The development of the Steinway & Sons lower section, has included the creation of a mezzanine level, acting as a platform to oversee work. This allows for a more aesthetic design, whilst creates more space for internal circulation.